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     "The Commitment" 


The New Album From Solomon Burke


       

Songs take a message directly to your heart,” says Solomon Burke. “When you can’t speak for yourself, sometimes a song can say something in three minutes that you’ve been trying to say all your life.”
                     
            Certainly, when a song receives the honor of being performed by Burke, the King of Rock and Soul, it is bestowed a rare and beautiful power. On his latest album, Like A Fire, Burke gives his unparalleled treatment to a new batch of songs that cover a wide range of emotions.
           
            “We had an exciting adventure with these songs,” he says. “There are songs of comfort, and there are songs of the times. Every artist couldn’t sing these songs—not everyone could understand and portray these messages. I just hope that I’ve given them the right meaning and found the right definition to each lyric.”

  
            
            Solomon Burke is truly one of popular music’s larger-than-life figures. His records helped create the exhilarating celebration of pure feeling and African-American vocal expression that came to be known as soul. His songs, including such classics as “Everybody Needs Somebody to Love” and “Cry to Me,” have been covered by artists from the Rolling Stones to Tom Petty, from the Blues Brothers to Bruce Springsteen. “He is Solomon the resonator,” Tom Waits has said. “The golden voice of heart, wisdom, soul, and experience. He’s one of the architects of American music.”



Since his 2001 induction into the Rock & Roll Hall of Fame, Burke has enjoyed something of a renaissance as a performer (while also maintaining his parallel lives as an entrepreneur with a chain of mortuaries, a bishop in the House of God for All People, and a father of twenty-one). His glorious 2002 album “Don’t Give Up On Me,” which was dedicated to new songs by the likes of Bob Dylan, Elvis Costello, and Van Morrison, won a Grammy for Best Contemporary Blues Album. That album’s follow-up, Make Do With What You Got (produced by Don Was), and Burke’s most recent release, 2006’s Nashville, both received Grammy nominations as well.


            
            Nashville—which featured duets with such legends as Dolly Parton and Emmylou Harris—returned Burke to his longtime love of country music. But the theme on Like A Fire isn’t any single musical style; instead, it focuses on Burke’s brilliant interpretation of compositions by a new generation of songwriters, including
Ben Harper (“A Minute to Rest and a Second to Pray”), Keb’ Mo (“We Don’t Need It”), and Jesse Harris (“What Makes Me Think I Was Right” and “You and Me”).
            
            “These young writers have been listening to their moms and dads and their grandparents, and to the old songs,” says Burke. “And they’re combining their messages with the truth, with reality and with the times we live in.